Perfect Sounds Unleashed
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Everything you need to know about choosing the best genre for your song

4/4/2022

 

Tip 1: How to choose the best genre for your song

Let's be creative and say, you are the male version of Ariana Grande, with a hint of Steven Tyler from Aerosmith, with a house beat. What would you call it as a genre?
Not an easy one to answer, and that is okay.
Are you struggling with the selection of your genre? Is it Pop, or is it Pop/Rock, is it Reggae with some Folk influences through the chord progressions? You can have your own genre. My band Awash uses melodic guitarpop. Making
 up a new genre sounds great. However, it might steer people away from listening to your songs.

To answer what the best genre for your song is, is not that difficult. But might sound a bit strange, because you already know this, right?!? And for sure, you are already playing your songs in a genre. Most likely the one you like best. Question Answered.
And your (future) fans are probably looking for your music, through the genre you have put yourself in. Our society is like that. 


​When you want to learn new things, looking at different genre's and how they 'work', to make the same things happen with your song, is a very helpful tool. Almost every genre has its own specific way of play-out in an arrangement. The instruments that are used and how you could use them in the particular genre. Chord Progressions and possibly Melody and Lyrics could determine what genre or even sub-genre you are playing.
So, take your time to analyze what you have written so far.
What was the intention of your song-story with the lyrics?
What was the mission of your song?
What message did you want to bring to your audience?

For example: when it is a love story, you probably want to choose a slow tempo rhythmically.
  • Do you even want drums in there?
  • And how would you want them to sound?
  • Not only overall, but if you use them in the first part of the song?
  • How would you like them to sound in other parts of your song?
  • Do you even want the drums at first, or only starting at the half part of the song, or even only in the last bit?

Whaaaaaaa!!!
All these questions....

Do not panic. Some things will come to you without even thinking to much about it. You intuitively know what you want to do. You have heard so much music throughout your life, that most of the answers are already in your subconsciousness. But it could be helpful to know how to use what you know in your own songwriting and to your advantage.

Overall solution: Check your songs and compare it with ones you feel that are similar. Look up that genre and see how it makes you feel. If it is good, keep it, If it doesn't feel right, look up another.

Make sure you don't pick Polka, unless you really write that music. ;-)
You can always contact me when reading gives more questions than answers. I have a FREE CO CREATION CALL for all who like some help and more explaining on this and all other subjects.
 
YES, I WOULD LIKE A FREE CO CREATION CALL

Tip 2: One easy way to learn from the Pro!

I am going to give you a quick answer and easy assignment. Pick your artist and listen to all of its songs. When it is your idol, you probably like all of his/her songs, so make a playlist and play it for a lot of days. In the background when doing stuff that is not music related. When you are going on a trip. When you are reading a book to relax, or just when you are relaxing.
How fun is this exercise? Let me know in the comments.
Ow, and did you notice which of the songs are the most catching your attention while you do this?

Tip 3: Why you should dissect 3 of your favorite songs from tip2

Okay, time to get back to it. You have had a few days (you did this exercise from my previous tip, right?!?) and now have those 'ear-cathing' songs. List them and pick 3. Start dissecting the song, one at the time.
Find the tempo by tapping along and setting a metronome to your tapping. If you already know how you can figure this out, do the time-signature too.
Answer every question, before starting with the next pointer.
  • What is the first part of the song?
  • Does it have an Intro?
  • How many bars does it have?
  • Write those bars down.
  • Does it have lyrics?
  • Write them down.
  • What melody do the lyrics have?
  • Write that down too.
  • Do you hear instruments?
  • Write down which ones?
  • What chords are they playing?
  • Or do some have melodies, and what are those melodies?
​​I have explained this in a simpler way, when you have read my blog on Melody. But because we're going more into the matter and starting with combining these different sections, it has more components. With all these things becoming more diverse, still 'Practice makes perfect' counts as we go along. To make a new example, I'll use another Awash song to explain how you can write this down.

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7 Tips on using Rhythm for your songwriting

22/3/2022

 
Rhythm for me is not only a beat. It beholds a feel for the song, and a tempo to determine if that all fits together. And I am going to keep it simple at first. There are so many possibilities of how to time rhythm, that alone is years of study. Most of the songs however, have a 4/4 time signature. I'll keep to that and do some extra dividing in that time signature. Okay ready?
And a 1 & 2 & 3 & 4!

Tip 1 on Rhythm: The basics of rhythm.

Learn how to count your music and keep the intended rhythm.
When you know how to count in music, it will help you in every aspect of making music. As a musician, but definitely as a songwriter too. Keeping the rhythm as straight as possible, means not speeding up or slowing down. Unless you intend to do that in your song. But even when slowing down or speeding up is intended, you need to practice this.

To start with practicing counting, I'll start with the basics.
So, 4 counts is a bar. Every count is a quarter note. 4 quarter notes become a bar. Full circle here, right? On to the next step.


Hold it: If music was that simple, you wouldn't need much more tips.
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In the picture above you can see in the column on the left side:
Pitch | Instrument | Snap Drum and a blue line with 3.2 | 3.3 | 3.4 Drum | 4
It is 1 bar starting at 3 and ends at 4, making it 1 measured bar.


C1 | Bass drum (kick) | 1/16 and a total of 16 diamond shapes.
When I solo play this in a example in a D.A.W. I'll get a very fast playing bass drum sound. Mostly used in Hardrock and Metal music, although not throughout the whole song. I am just making sure that you know a little bit more about what genre it could be useful in. More about that in my next blog on Genre.


C#1 | Side Stick | 1/8 and a total of 8 diamond shapes.
8 is half of 16, right. You do not have to be a mathematician to know this, right?

D1 | Acoustic Snare | ¼ and a total of 4 diamond shapes

D#1 | Hand Clap | ½ and 2 diamond shapes

E1 | Electric Snare |1/1 and 1 diamond shape

I am sticking to a 4/4 rhythm, but you can imagine that there are many more time signatures to play around with. Also, when using different kinds of drums, you'll get more different possibilities in sounds too. I limited the sounds to these 5 instruments as an example, nothing more.

In some D.A.W.'s you use a piano roll, and then it could look like below.

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7 tips on creating Chord progressions for your song

8/3/2022

 

Hi ya'll,

Chord Progressions means you play 2 or more chords in a certain order.
I
n this blog I will give you tips to start your creative flow with maybe some on-orthodox suggestions on how to create a chord.
How to use these in a real song, might even be more strange at first. You might not really get a song when you only use these tips, but we are still building up to get a song at the end.


I have never heard an artist saying:
'Well I started this song with 3 chords that became my verse, and the same 3 chords became my chorus and I made a bridge from the same 3 chords in the same order, played in the same rhythm in the whole song. I just started writing them down, added some melody parts and lyrics, choose a genre and some emotional feel, picked these instruments and we can now play and record this hit.
We do not need to change anything anymore, just play what it says and get it done'
. :-)
​

Tip 1 on Chord Progressions: The simple start

Just start with what you know and how to use it. If you find yourself without any knowledge of music theory, you can still make music with Lyrics and Melodies.
Using an app or a DAW can help you to find more suitable ways.
To be able to use 1 note, for example a C and the software can add the rest of the notes for you. It adds an E and a G. It makes the music sound more complete with a quick way to add instruments to your song.

For the exercise of all the tips in this blog, please stick to only 3 notes in each chord. So it will be the root note, the third and the fifth of a chord.
PictureCubase Midi Editor


In the example, I have used midi in Cubase. I use the piano roll to see where the root note is. On the left side, you can see what kind of 3-note chords/triads you can vary with. The selected White block with 'maj' is now representing the black lines on the right. The chosen chord is .....? 
You can answer it in the comments below.

Below those are the more diverse 4-note chords. After clicking on a note in the grid, it automatically adds 2 more notes from the traid.
I clicked on F2 and the A2 and C3 where added by Cubase.

After that I can press play and it start playing the first chord and the next I have looped in Cubase. In this example, I can change the last chord to one of the 5 other chord possibility's, (min - sus4 - sus2 - dim - aug) by just clicking on the knobs on the left side. I can instantly hear the change to the new chord. When I loop the play, the first chords will be followed by the changed one. Now I can decide what chord is the best to follow the first one.

If you do not have a D.A.W. You can go to the website HookTheory https://www.hooktheory.com/
These guys have a free midi player that lets you work with chord progressions and melody's. Like in any D.A.W., you need a bit of time to find out how it works. It has a few very cool features. And very usable for writing down quick idea's. Very handy when you do not have money for a 'real' D.A.W. yet. But there are more apps, if you search further.
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Fancy chords

Tip 2 on Chord Progressions: Stacking melodies

When you have a few melody lines from my last blog. And you know what notes they have, you can write them down on a piece of paper. Put them right underneath each other and when you have two or three lines, you can figure out chords.
First example: These are notes in 1 bar that need a chord.

First melody:           g   g   g   g   b   g
Second melody:     b   d   d   b   d   d
Third Melody:         g   g        d         g


When you take a look at the first 3 notes that are under each other, you see g-b-g. The second column it is g-d-g, the third is only g-d. I would write them down. I also know a B and a D are in one of the melodies. And add all missing notes with the notes I know like this:
G – A – B – C – D – E (– F# - G).
1 – 2 – 3  – 4 – 5  – 6 ( – 7  – 8).

So the first chord is a G. (3-note/triad) When I look at the other notes in the melodies, they are also conforming the scale of G. The 3rd and 5th note make this complete to a chord.
Second example:
First melody:       g     g   bes  g   bes  g
Second melody: bes d   d       b  d      d

Third Melody:     g     f             d           g

When I write down all the notes I have in my melodies.

g – bes – d – f
And add the notes that I am missing to the line, it will become:
g – a – bes – c – d – e – f – g
1 – 2 – 3     – 4 – 5 – 6 – 7 – 8

(bes is called bflat in some parts of the world)

So again we figure out what are the most used notes and see if 3 of these make up a chord. When using the numbers you see it's first, third and fifth of a chord. G – Bes – D
For a major we have had a major third through the b (see first example) Now we have a bes, which is a half step lower note than a B on the scale.
(Probably why some parts of the world call it 'flat' and when it is higher, sharp)
But it makes my chord become minor and has a less cheerful sound to it.

When you find these techniques difficult, or need help with other chord progression questions for your songs?!? Feel free to schedule a 
Free Co Creation Call with me. 
Free Co Creation Call
For every part of the song and each chord you can use this method.
It can be a slow and long process at first. And after a while you might not need to do this anymore. When you discover which works all the time in your songs, you can probably make it work much quicker. Take your time to build on your skill set.
You now know how to play them simultaneously on an instrument. And know when changes are coming, you can play chords and by changing them, when the melody line changes, you'll get a chord progression.


For now, it can help you decide what chords and in what order to play along with the vocal melody or other melody parts. It is a puzzle, but you can learn a lot from it. See if you can find 3-note chords with the root, third and fifth first. You match these in your melody. Do watch out, not all notes of your melody have to be in the chord. Find the most used notes that match a chord you can find.
On a later time, you might want to find inversions of these notes in the melody. For example, the fifth might be lower than the root note.
​

Tip 3 on Chord Progressions: Tacking up musical theory


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7 Tips on creating Melody for your song

15/2/2022

 

Hi, ya'll

It was amazing to hear the positive responses from my followers about the tips and tricks they got from my last blog, 7 tips on lyric writing. As songwriters and musicians, they truly benefit from it.
How about you? You probably had fun with the exercises and created a few stories by now. I hope you were also able to use them to re-arrange them into parts of song like lyrics.
If not, no problem whatsoever. Just comment below this blog here on the website. Maybe we can connect and find out together if we can make section one work better for you.

Remember 1 thing while you are working on your skills:
​Rome wasn't build in 1 day.
It is important to take the time to learn the new skill(s) and play with them. Enjoy it and make mistakes, without getting stressed about it. Instead, have a laugh. You are going to make many more, so keep on going.
(I've been there, still get to the point of making new mistakes. And do not stop going into new mistakes. Hey, for what I know, making these blogs might be a mistake. ;-) )
Before we dive in, I would like you to realize this. There are way more techniques that come in to really using melodies in your songs, than the 7 I 'm going to give you.
​It is not my intent to write all of them, but just a few unique ones to help you with. To play around with and explore different possibility's with those tips.

Tip 1 on Melody:
find emotion within one note

Start with knowing the feel of 1 note and try to find its emotion. (use the picture below)
Can one single note evoke an emotion with you? Even faintly, a hint of doubt on a yes or no answer?
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You can use your DAW, your VSTi or a standalone VSTi, or something else that can represent a piano surface. Yes, a real piano will do fine. ;-) Find the first note from the chart.
(I assume you know where the note is on a piano. If not, just let me know, and I'll get you some more explanation on how this works in music)

Play 1 of the notes. Just choose 1. What is the first emotion that you feel when playing this note? And it doesn't matter if you can't find any emotion at first? Nope!
Repeat playing this first note a few times. Does it give you an emotion now? No? That's okay. After doing this a few times, maybe take a new note from the picture and repeat the exercise. It is truly challenging to do with only one note to play. I can only assume you really want to know what emotion this should be. When you have joined my newsletter, it will be answered in there. If not, you can join my newsletter for the answer. (you can always unsubscribe anytime)
But if you would like to figure it out by yourself, then keep on playing the notes.
BonusTIP: play different rhythmic and dynamic variations. A few quickly played short notes, softly, and a few quickly played short notes loud. Same with buildup in volume or from loud to softer. Long notes with the different variations. And so on. Just have fun with this.
​

Tip 2 on Melody:
develop musical feel by combining two notes

Start playing a root note and get familiar with the emotions that are made by the steps. (use picture below for the example steps)
In a while you start knowing these emotions and almost instantly give the right musical feel to a melody line and the story you want to bring to the listener. Start without knowing the feel and note steps between a first note and a second note, by using this chart. In the newsletter I added a chart that show some emotions and put them with the interval note. We start from root note C. You can start with every other note, but the steps remain the same distance.
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There is a possible stepped sequence, playing one note at the time. For example, the C (root note) and the E. (Major third)
Or you play the second note after the first, and hold both until they are silent.
Try to describe what emotions you feel when these steps are played. Write it down and keep on playing with all the steps. This is important to learn too. And it helps you also to connect the dots on Chords in the next blog section.

I'll send a picture with examples in my newsletter. Join my newsletter to get these examples. 

Tip 3 on Melody:
creative discoveries by researching your favorite songs

Listen to the songs you really like and discover the different melody lines, by playing the melody on an instrument.
But I do not have an instrument. Yes you do, even your phone is an instrument in these modern times. There are many apps out there, that are free, and you can play piano or even guitar on them. Start playing on them and figure out the melodies at the same time.

Back to figuring out the melody of a song. When you start with the vocals, you can figure out the emotion from the lyrics too.

But do they always tell the same story as the melody line of the vocals?
Figure this out, and maybe you'll find the answer confusing. I am going to let you dig in here, because I do not know which song you'll choose.
​
You can put a comment below the blog and tell me what you have discovered. And a link to the song, so all participants can have a listen and see if your findings are the same as theirs. And let me remind you on 1 thing here. We can all discover something different, and that makes all findings right. There is no wrong when it comes to creativity and interpretation of art. Ow, and can you now sing or humm the melody, without using the lyrics? I'll go more in to dept here in a later TIP, so keep on reading. :-D
​

Tip 4 on Melody:
making up your own melodies

A bit of the same as Tip3, but with a bit of a twist. Make up a melody line by humming a few notes. I know you can imagine a few notes by just humming, or whistling. Figure these out on an instrument and write down the emotions along the way. There are no limits on what you create, you can always use it in some way or another. Do you need to keep everything you come up with? That is up to you. I would keep as much as possible. Record it on my phone or play it in a DAW. Remembering might be a bit of a stretch here, but hey!
Go for it! Let me not hold you back by saying you can't do things. You decide what works best for you. Always. :-D
"YOU just made a melody line with the lyrics YOU wrote, and it was 100% right. Because YOU made it. YOU created it from scratch. Nobody but YOU. I say High Five all around. YOU made YOUR first song part. Everything else, suck it!  :-D"

Tip 5 on Melody:
creating melody lines by playing with speech melody

Read back your written story/ lyrics that you wrote as an exercise in my first section blog on Lyrics. Record it on your phone and play it back. You will now hear a bit of a melody. When you read it out loud, you will almost instantly use a speech melody. That could be your starting point. Then start singing it a bit more, every time you repeat a part of your story. You can start with one sentence, maybe the first one you have written down.

After you feel it could pass as 'a bit of singing', (your 'inner-critic' says so) you're on the right track. Keep at it, you are doing this. It doesn't matter if you have a feeling of failure of hitting the same melody and hear that you go a bit off-key. Keep going with this.
Now add the second line of your lyrics. Keep it in the same melody line as the first one. Repeat those lines a few times. And now you take a break. You did it. You made 2 melody lines for your lyrics.
Oh ooooh!!!! Here comes your 'inner-critic' with all things that went wrong!
You sang out of key, no stable melodies in both sentences, the words didn't rhyme, and so on, and so on........
Hey, snap out of this!
YOU just made a melody line with the lyrics YOU wrote, and it was 100% right. Because YOU made it. YOU created it from scratch. Nobody but YOU. I say High Five all around. YOU made YOUR first song part. Everything else, suck it! :-D


Come on, you are hot and ready. Keep going if you can. What can you add on the third lyric line? Maybe use the first melody, but make it slightly different. The listener get drawn back into the song when you do that. And finish the fourth lyric line with the same melody from the first 2. Now you have completed a verse, or a chorus or whatever part of the song, you have these lyrics planned for. Victory again, my friend! Well done!

Keep it going while you're on a hot streak! Find new melodies for new parts of the song lyrics. And when you haven't got any more parts written down, because I didn't explain 'you should continue writing' in my blog on lyrics, nor mention it in my earlier newsletter, I will give you permission to keep on writing lyrics and new parts for this or any other song.
(like you needed that permission... ;-) )
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Another lesson lies in this is.

“Never let anyone slow your creativity down, certainly when you feel the excitement of creating anything”.
When you are in a state of flow, keep at it. And start creating new things when these come up spontaneously. You can always go back to what you have done, and make the creation start up from where you stopped last time. We all need some breaks, food, drinks and sleep at some point in a day. And our loved ones would like it too, when you take time to spent with them. And when they do not want you around, it will be a possible subject to write songs about. ;-)

Tip 6 on Melody:
expanding melody lines

After you have recorded a melody line on your device. Start finding some second and third melody lines. They can be in a higher pitch, or a lower pitch. You can use your imagination. You can use it as a choir or backing vocals. As a bass line, as an arpegiated piano or synthesizer line. Make your own if you can, but you can start from one in a synth and remake it. It helps you figure out the Synths Arpeggiator, that are useful for other one's and for knowing a bit more about rhythm and how to use it.

WARNING. Do not take to much time with this, because you are writing melodies. In my blog on Sounds, I will do a deeper dive in this. I know, it is fun to play around with and you'll get the chance. All in good time. :-D
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A hook for the instruments and a recognizable melody that returns from time to time in a song. In the next blog about chord progression, playing around with this, can help you figure out what chords would fit best in the song. But sometimes it can be a struggle to make it fit, and you might need to revise what you thought would be great. But that is something for the next blog.

Tip 7 on Melody:
finding instruments

Start making instrument sounds with your voice, and make melody lines for those. I give some examples and hope you will understand what I am aiming at:
Boom chicka Wowwah!
I bet you are hearing a sort of Wah guitar with reading that line.

Boom ----- Tah, Boom – Tah! Boom ----- Tah, Boom – Tah!
Are you now beatboxing?

I have seen a lot of people mimicking instruments or pieces of how instruments should sound. Telling the guitar-player how the solo must sound, without using the proper terminology.
'Yeah man, you should do: 
WhieieieieiehhhWhieieieiewhieiehwwwww
at that part of you solo'.

​​Please leave a comment if you never experienced anything like that. Better yet, leave a comment on what occasion you did experience that.
I have seen Memes on Social Media, that have some old song lyrics in them, and when I start reading those, I started singing the melody line instantly, while I was reading them. Did you have a song or instrument, that could do that to you? When you love listening to music, all of these can happen when a song comes along, that brings back a memory from before. This will help you too, with creating new melodies.
You can also find it useful to find the right instruments for your song, or the ones that should have a lead role in the song. But that will be a topic in a blog section in the future.

Bonus tip:
tonal range

When you play around with all the tips, you will get familiar with the different emotions of a one note you choose or steps between the sounds two notes can produce.
By challenging yourself to make more different melodies, through combining these tips, you are able to make more and more interesting melodies. Keep making instrument sounds with your voice, so you can create different melody lines. Don't try to use an instrument right away. I know this is tempting, but it will limit you when you are without an instrument. And yes, I've been there, stubborn and all :-). So feel free to explore all of these options for yourself. You also need to be stubborn to open your creativity. Just be alert when it starts to block your flow.

It's perfect to allow yourself to sing the steps a bit off-key at first, or even all the time. I still do that, but you know, I have an excuse: I am not a skilled singer ;-). Anyway, just to let you know: the skilled singers I work with all benefit from it.

However, the most important thing here is to enjoy doing this, and I do! . . It is not the goal (yet) to make you do all of this in the right pitch or key. The exercises of this blog are just to get the hang of making up melody lines.
It can be challenging. However, to only make a melody go up in tonal range. Or only go down. Maybe at one point go down, then up and back down again. Just see where it goes.

What happens when you take a random scale, and skip a note every step all the time.
Example: C Major scale upwards
C – D – E – F – G – A – B – C
Start with the upwards steps, but skipping 1 note from the scale until you are back at a C.
C – E – G – B – D – F – A – C
The next example could be starting from C upwards 4 steps with skipping one, but coming down after the fourth note in the sequence, but again starting the first note on a C that is the nearest.
C – E – G – B – C – A – F – D
Make your imagination work with all kinds of sequences. If you are playing, you'll find yourself already adding rhythm to the melodies, without paying attention to the outcome.
Your vocal melody, or just an instrument melody could have triggered it. Or because your unconsciousness knows music better, and to make something really feel like music, it just adds rhythm to it.
Cool huh?!?
"And it might be that your subconsciousness is trying to make you 'run from the challenge'. Give it a go, and if you fail at it, pick it up again in the next practice. I have plenty of experience, ask my girlfriend ;-).
Now go and start using these tips to your advantage. If one tip, didn't give you a feel of 'Yeah', but more a 'Mweh', take that one first. It will be a challenging one to integrate to your skill set, but I know you will surprise yourself if you persist. And it might be that your subconsciousness is trying to make you 'run from the challenge'. Give it a go, and if you fail at it, pick it up again in the next practice. I have plenty of experience, ask my girlfriend ;-).

Sometimes we just need a bit of a challenge, to overcome getting bored with the ease of getting everything done. No real effort was needed to achieve a skill. You get the point. That's why, instead of running away from a skill that is not appealing to you, picking it up and start on it can bring excitement and motivation. Take time to play with the new and difficult skill. You'll find out, it will ease up.
Meanwhile, enjoy the path of practice. Things you require help with, you can always outsource, without running from your challenge. When we worked with commitment for something, the joy of accomplishment is so much more sweet.


P.S. Want some specific examples of how to find out the melody lines from your favorite songs, so you can apply the techniques in creating your own unique song? Sing up for a Free Co Creation Call with me. Use the button below.
Book a Free Co Creation Call
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Here we go! 7 tips on lyric writing

7/2/2022

 
But before we go, please read the picture I have put up underneath.
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Sound familiar? Well, not to worry anymore. And of course for many, this is a joke in a big way. A lot of sarcasm, but also recognition, in some steps.
But there is help.

Step 13: Pick it up, suck it up and finish that song, all other songs and start new songs and finish them too with my help

How, you ask?
Well, in the next 7 weeks I'll start to give 7 tip & tricks for you to work on. I have explained which steps in my earlier Blog: The 7 skills of Songwriting
Every week you'll get hands-on techniques, easy to use and very helpful when you feel stuck. You can find them everywhere on the internet, but you might need a long search to find some. And, you still need to put in the work to make it successful. I am not going to do the work for you.
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Start with this first:

Put your phone away, or when you use it for recording idea's, switch to flight mode. Do not use any other apps. Certainly no Social Media stuff. 
They will kill your creative mood instantly. Do not let anyone or anything distract you. Take a pen and paper notebook, and write things down. If you play a few chords, put it on paper. When you think of a melody, write it down. When you have a phrase or sentence, write, write, write. Did I mention to WRITE it down?!?

And now the real lyrics tips can start.


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The 7 skills of Songwriting

4/2/2022

 
Hi there, nice to meet you. My name is Peter, and I am making a new program for singer songwriters, giving out free tips & tricks along the way. This is not really for the experienced singer songwriters, who finish songs with no problems along the way. Feel free to chip-in though.

This is for the ones who have started and find it hard to complete creating  their own song. Or those who would like to learn different skills within this process. Or just want to see where we can go with this. ;-)

How did I think of that?

Having worked with  singer songwriters in the last couple of years, I noticed a few specific similarities with all of them. They all wanted to finish their songs, but they didn't always know how to achieve that goal. Besides missing several techniques from different stages of songwriting, they had difficulty to overcome their insecurities. The same applies from the recording point of view.

This made them unsure, and they started to second guess their choices. ​
At some point, it became that 'BIG' thing, with the result of wanting to quit.  This so called writer's block is a well known outcome, that is the result of a build-up from the earlier mentioned process. Many singer songwriters will recognize this.
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Of course it didn't start out like that,  but at some point, gently and very sneaky it became this way. The creative flow stopped. 
​​
I am not a psychologist, let me make that clear first. I do have years of experience on guiding, coaching and training people in new skills, in a variety of workplaces and skill sets.

'When in coaching, I came across a situation, where the employee could have used that technique on a few occasions to get a job done, but didn't, I would ask them about it, and tested if they knew how to use it'.

Let me take you back to my corporate experience for a moment. I found that the most common things that happen along the way are tracked back to basic knowledge of understanding how to improve certain techniques. And in addition, on how to re-apply these techniques that don't seem to be very effective. At first, the techniques are being dismissed  most of the time as not valuable, for different reasons. For example: A technique is hard to master, and seems not needed to get the job done, so they stopped using it. When in coaching, I came across a situation, where the employee could have used a certain technique on a specific occasion to get a job done, but didn't, I would ask him about it, and tested if he knew how to use it. When he was confronted with not applying a learned technique, not able to explain why, he wanted to talk his way out of it with a large variety of reasons. It turned out he did not know how to apply the technique properly. When I asked how come, we found out he really wanted to get the results, but without putting in the effort. Within the coaching sessions, I asked if he would be open to learn and apply the technique again if I could guarantee the result. If the answer was yes, I gave him  the chance to learn and apply the techniques again and even helped him with extra training and time in becoming successful at the technique. And when he really saw the success he got with adding another technique to his skills set, he thanked me for pushing him and giving him the trust and time to apply the new skill. Sometimes he was a she :-) 
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But how does the above apply to songwriting? 

If you are coming to work with me on your songwriting, I will not be so strict as I just described above (unless you want me to. LOL). 
We have the same goal, and that is developing your skills as well as learning new techniques. We first start with analyzing what you already know and apply in your songwriting process. This way you get clear where you're at. And you know right away, what you can do to improve on. 
So, are you ready to find out what sections I'll be guiding you on? Here they are:
  • A: Lyrics
  • B: Melody
  • C: Chord Progression
  • D: Rhythm
  • E: Genre
  • F: Sound
  • G: Inspiration
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I am curious to find out which sections you use to write your song with. If you use them all, you are getting your song finished, I am sure of that. It would be nice if you drop a comment and a link below about the sections you use or a song you already finished. Or a question about where you got stuck. I'm happy to take some time to listen to your song and respond. I might even share your work with others, so you'll get more fans along the way. That would be awesome, right?

Back to my program: you will get an extensive BLOG of every section, so you can complete writing your own song. If you would like to be notified of new BLOG releases, feel free to sign up for my newsletter.
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In addition, I will be providing 7 tips per section and releasing those on my Social Media platforms. If you would like to see what I am going to do, then follow me on Facebook or Instagram. I have started on TikTok too, but want to be more active here, so find out by following me.

Thanks for reading this. Drop a comment below if you like.
(could your comment  be tip 1 of the section: A: Lyrics ???)
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My musical journey starts

24/11/2021

 
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 I am Peter Suoss and, you are on my website. Music is in my life, from a very early start. My dad played drums in a cover band in the 60's and 70's. This picture is me behind his drumkit at an age of 2 years.

As a little boy, I wanted a drum kit myself, but the nearest thing I could have to that, was becoming a tambour maitre in a band. All kinds of instruments were interesting, and even becoming a DJ for a few years, I took up as an interest. All different styles and genres where interesting. I started to go out, but instead of going to only one club, I went to a diverse kind of venue's in the weekend. Starting with a real discotheque, to a venue that only played New Wave and Punk, and  then to a place where Hard Rock and Heavy Metal was mainly played. Never fitted in 100%, but never felt rejected either.

At 20 years I was really hit by the music virus. And it stayed on since that age. I started out in a band, that eventually took the name 'Hammerhoids' I larned how to play bass, by the guitarist's telling me, 'play four times on the top string and 3rd fret by pushing that 'G' with your index finger, go to the 5th fret, push it down with your ring finger or pinky, an 'A' and play that 4 times too. Then go one string down with your pinky and play the note 'D' 8 times and start over again'. I also got my first recordings with that band. From live playing, but also in a 4-track studio that was starting out.


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You get the picture, right?!? But it was a lot of fun, and with a few beers on the side made the hardship less difficult. I learned the basics of playing bass in a band and that was it. Not really 'high level' music, although we thought we were 'the best'. Rock stars wannabee's. But that is a different story for another time.
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    Peter Suoss

    Just a few moments from my musical life, put into words.

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